JonOne reveals two new original screen prints: Rough, Rugged and Wild & Time is Now
With Rude, robuste et sauvage This text is not complete. Can you please provide more context or the full text so I can accurately translate it for you? Le temps est venu, JonOne has created a unique diptych where his gestural writing is expressed powerfully through two complementary interpretations. These two original screen prints feature the characteristic calligraphic language of the French-American artist, but each develops its own identity through the use of exceptional materials. They can be acquired individually or combined in an exclusive offer called "Matching Numbers," reserved for collectors who wish to obtain both works with the same edition number.
Rough, Rugged and Wild: the brilliance of gold serving movement
Rude, robuste et sauvage is an original screen print created in two color passes on an elegant 250 g Keaykolour paper. The artwork stands out due to the use of ink enriched with real gold powder, which adds depth and changing reflections depending on the angle of the light.
JonOne signing his artwork.Rude, robuste et sauvage
On a deep black background, JonOne unfolds a dense composition where lines, overlays, and drips intertwine in a perfectly controlled energy. The gold enhances his famous abstract lettering and gives the whole piece a particularly spectacular presence.
Time is Now: the luminous power of money
In perfect resonance with the first work, Le temps est venu Maintain the same graphic composition while asserting a different personality thanks to an ink enriched with real silver powder.
JonOne signing his artwork Le temps est venu
The silver metallic reflections offer a colder and more contemporary interpretation of JonOne's universe. The variations in light gradually reveal the richness of details, overlapping lines, and drips that are all part of the artist's signature. This contrast between gold and silver creates a particularly successful visual dialogue between the two screen prints.
A limited edition signed by JonOne
Each screen print is printed in the 50 × 70 cm format on 250 g Keaykolour paper and is part of a limited edition of only 60 copies.
Each copy is hand-numbered out of 60, signed by JonOne, and accompanied by its certificate of authenticity, guaranteeing its origin and its status as a true original edition.
Matching Numbers: an exclusive offer for collectors
The two silk screen prints are offered individually, allowing everyone to acquire them. Rude, robuste et sauvage There seems to be a mistake in your message. "ou" means "or" in French. Can you please provide more context or clarify your message? Le temps est venu separately. They are also available in the form of Matching Numbers, an offer particularly sought after by collectors.
The first 15 issues of each edition (1/60 to 15/60) are exclusively reserved for this formula, allowing to acquire the two screen prints with the same edition number.
☛ AVAILABLE HERE ☚
To own Rude, robuste et sauvage This text is not complete. Can you please provide more context or the full text so I can accurately translate it for you? Le temps est venu Having an identical number enhances the coherence of this set designed as a true diptych. Once the first fifteen numbers are assigned, the two works will continue to be offered individually, but it will no longer be possible to obtain a Matching Numbers.
The combination of gold and silver, the printing quality, the low print run, and the Matching Numbers principle make this set a particularly remarkable edition, designed for both JonOne enthusiasts and collectors of original editions of contemporary Street Art.
Find all the other works by the artist ☛HERE☚