Shepard Fairey: four new OBEY 2026 screen prints in 59 × 42 cm format.

Four works, four universes, and the same format. Gallery 125 brings together a new selection of screen prints by Shepard Fairey (OBEY) created in 2026, all presented in the same format of 59 × 42 cm.

Power, War by Numbers, Commanda, and Love Lotus perfectly illustrate the diversity of Shepard Fairey's work, a key figure in contemporary Street Art. From one piece to another, the American artist transitions from Pop Art imagery to symbolic and politically engaged compositions, all while maintaining the distinctive graphic identity that allows one to immediately recognize an OBEY creation.

Four Shepard Fairey screen prints in the size of 59 × 42 cm

The common format of these four works is one of the peculiarities of this new selection.

With their dimensions of 59 × 42 cm, they can naturally be displayed individually, but also work very well side by side. The compositions are different, but their identical proportions and the characteristic graphic palette of Shepard Fairey create a true coherence between them.

Red, pink, cream, deep blue, and golden touches echo from one artwork to another. We find the bold colors and powerful contrasts that have accompanied Shepard Fairey's work since his early interventions in urban spaces to his contemporary screen prints.

Shepard Fairey and OBEY, from the streets to contemporary art

Before becoming one of the most well-known American artists of his generation, Shepard Fairey gained recognition in the late 1980s with his campaign Andre the Giant Has a Posse, which was the origin of the OBEY universe.

Stickers, posters, and urban interventions gradually allow him to develop a very personal visual language. Shepard Fairey draws as much from the codes of propaganda as from advertising, graphic design, punk, and Pop Art.

This visual identity has far exceeded the walls of cities. Today, the works and screenprints of Shepard Fairey hold an important place in the Street art and international contemporary art.

Despite this evolution, OBEY maintains an essential principle inherited from urban art: creating an image strong enough to immediately catch the attention of the viewer.

Power: Shepard Fairey subverts the codes of Pop Art and Street Art.

Available HERE

With "Power", Shepard Fairey adopts a graphic language directly inspired by comic books and Pop Art, while integrating the protest codes specific to the OBEY universe.

A hand is holding a grenade transformed into a paint bomb, while the word POWER explodes in the center of the composition.

The aerosol spray can is obviously an object closely associated with graffiti and street art. Shepard Fairey here appropriates the image of the grenade to turn a symbol of violence into a tool of creation.

One of the recurring ideas in his work is to use an image that is immediately understandable in order to give it a second level of interpretation.

War by Numbers: an image as seductive as it is unsettling

Available HERE

"War by Numbers" features a young girl holding a rose and a grenade, while military planes appear in the sky.

The character's gentleness and the soft colors directly contrast with the symbols of war present in the image. This opposition gives the composition all its strength.

Shepard Fairey regularly uses this principle in his works: first attract attention with a particularly elaborate aesthetic, then gradually reveal a more complex message.

This association between aesthetics, art, and commitment has long been one of the characteristics of his work and, more broadly, of a significant part of contemporary Street Art.

Lotus Love: peace, love, and geometry

Available HERE

With "Lotus Love," the universe changes completely.

The composition becomes almost geometric. A lotus flower occupies the center of the image and surrounds a symbol associating the heart and peace. The word LOVE, written in French, directly reinforces the message.

This screen print shows a more serene side of Shepard Fairey's work. The symmetrical shapes, bold colors, and universal symbols give the artwork a very different presence than usual. Power It seems like there might have been a typo in your message. If you could provide more context or clarify your request, I'll be happy to help with the translation. Guerre par les chiffres.

The use of decorative patterns and easily recognizable symbols is a constant in OBEY's work. They allow Shepard Fairey to create images that work just as well from a distance as they do when one takes the time to observe the many details.

Order: the portrait at the heart of the OBEY universe

Available HERE

The portrait has long been one of the essential elements of Shepard Fairey's work.

With "Commanda," the artist returns to a construction that he particularly masters: a very prominent face surrounded by extremely detailed decorative motifs.

The composition blends different influences, floral motifs, and the graphic language of OBEY. The solid red, pink, and deep blue areas structure the portrait, while numerous details gradually appear as one approaches the artwork.

This way of constructing faces is part of Shepard Fairey's signature style and recalls some of his most famous posters and urban creations.

Four works, four facets of Shepard Fairey

Bringing together these four screen prints allows us to truly appreciate the diversity of Shepard Fairey's work.

War by Numbers confronts innocence with war. Power plays with Pop imagery and the world of graffiti. Amour Lotus favors symbols of peace and love, while Commanda returns to portraiture and ornamental compositions that hold a significant place in the artist's work.

The subjects are very different, but the visual signature remains evident.

It is precisely this ability to renew his images while maintaining a immediately recognizable identity that largely explains Shepard Fairey's current position among the great names of international Street Art.

Shepard Fairey, a reference for Street Art enthusiasts.

Alongside artists from graffiti and urban art such as JonOne, , MR. CAT, , Jérôme Mesnager, , Miss.Tic It seems like there might have been a typo in your message. If you could provide more context or clarify your request, I'll be happy to help with the translation. This word translates to "nasty" in English., Shepard Fairey belongs to a generation that has significantly contributed to bringing Street Art into contemporary art collections.

His journey remains very personal nonetheless. The OBEY universe, his portraits, his posters, and his socially engaged screen prints have allowed Shepard Fairey to build an identity that now extends far beyond the boundaries of graffiti.

His limited edition screen prints, usually signed and numbered, also constitute an important part of his work and are particularly appreciated by Street Art enthusiasts and collectors.

A particularly interesting series to present together

The identical format of 59 × 42 cm also allows for numerous possible combinations.

Two works can be presented as a diptych, while the four screen prints together form a particularly graphic ensemble. Despite their different subjects, their colors and proportions naturally create a unity.

For fans and collectors of Shepard Fairey and Street Art, it is also an interesting way to bring together several facets of his universe through four contemporary works created in the same year.

The new screen prints by Shepard Fairey 2026 are available at Galerie 125.

These four works enrich our selection of original screen prints and limited editions by Shepard Fairey (OBEY), alongside many other works by the artist and other prominent figures in Street Art.

Power, War by Numbers, Commanda, and Amour Lotus, all created in 2026 in the 59 × 42 cm format, are now available at Galerie 125.

This new selection allows us to rediscover, through four very different images, everything that has made Shepard Fairey's graphic universe unique for several decades: Street Art, Pop Art, urban culture, commitment, subversion of symbols, and mastery of screen printing.